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balladeer

by Jodi Jones

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    This record is a collection of songs in the rich tradition of the balladeers of the Pennsylvania mountains. They recount stories ranging from disaster in the coal fields, to tragedy among the white pine forests of the Sesquehanna, and the homesick longing of the immigrant steel mill laborer in Pittsburgh. Like the old singers and storytellers, I’m presenting you with a mix of songs both traditional and of my own composition (with some help from ballad melodies as old as time immemorial) in hopes of keeping the musical heritage of my homeland alive.

    Orpheus, 1893 is an original balladic retelling of the myth of Orpheus and Euridyce through the lives of immigrant steelworkers in Pittsburgh. John Murphy’s Grave - a traditional ballad narrating the mining disaster of Bantyre in 1877 - made its way to the Westmoreland coalfields with the Scottish folks who settled there to mine soft, bituminous coal. Sweet White Pine is a song I’ve written about the legend of the White Woman of Murphy’s Bar, Susan Hilbish, whose tragic death at her own hand haunts the village of Shamokin to this day.

    Two of these are performed without accompaniment entirely, one simply with my own guitar, after the example of those one-man band folk troubadours who rambled across the wilds of the Pennsylvania frontier through lumber camps and mill towns to trade their songs for beer, bread, and spare coin.

    Quick, dirty, raw & rough around the edges - the way folk music should be.
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1.
LYRICS Lay down your lyre, Orpheus / lay down your harp and go To the furnaces of Allegheny / never more to roam Say goodbye to mother dear / and everything you know To journey far across the sea / and work the steel you’ll go I hear the lakes of iron ore / burn brighter than the sun That never shines on those / that live to tend the mills, not one Think of your Eurydice / whose passage you must pay And promises you made to me / to send for me one day Close your eyes and dream a dream / beneath that soot black sky Of olive trees and melody / and all you left behind Don’t look back dear Orpheus / and die of heartsick grief I know your words and heart are true / your promises you’ll keep I’ll meet you there across the sea / where valley lilies grow Where the waters of the Allegheny / meet the Ohio I’ll pray Kyrie Eleison / for God to keep you well Until that bright tomorrow / when I join you there in Hell
2.
On Clyde's bonny banks as I lately did wander To the village of Blanter I chanced for to roam I saw a young lady all dressed in deep mourning sadly lamenting the fate of her love I stepped up to her and I said my young lady Pray tell me the cause of your sorrow and woe I heard you lamenting the fate of some young man His name and what happened I'd like for to know While sobbing and sighing / at length she made answer John Murphy kind sir was my true lover's name Twenty-one years of age and of mild good behavior To work in the mines of High Blanter he came On the twenty-and-second day of October In health and in strength to his labor did go On that fatal morning without any warning Two hundred and ten in their deaths did lie low Never again will I walk with my lover With hand locked in hand on the banks of the Clyde Where we told the long love tales and pulled the wild daisies It was there I consented I would be his bride Spring will return and the flowers will blossom On John Murphy's Grave, I will scatter them there My tears they will water the wild little daises On the grave of John Murphy, so bold and so fair.
3.
LYRICS: Faithless one, oh faithless one / how little can you know? The good book says that all of us / will reap just what we sow I loved you and I trusted you / that was all in vain Oh, God is there no remedy / to ease my mortal pain? I worked the tavern late one night / in old Shamokin town Some raftsmen came in the month of May / to ride the river down By moonlight they took refuge / within our shanty walls And the one who played the fiddle / was the finest of them all The men would drink and play / the ladies danced around the room The fiddle player’s eyes met mine / I asked for one more tune He set his instrument aside / and took me in his arms I knew then that I loved that lumberman / with all my heart He danced his way into my bed / by morning, he was gone With promises he would return / the next time spring did come I kept his overshirt / the one that smelled like sweet white pine And labored in the promise / that someday he would be mine Summer’s heat and winter’s freeze / again did bloom to spring They all returned to Shamokin / I heard the fiddle sing But when I saw him dancing / with another in his arms The lumberman did seal my fate / of death by broken heart Up the stairs I flew / the cyanide gripped in my hand I found a little closet / and I shut myself within I donned his overshirt / the one that smelled like sweet white pine And drank each drop of poison down And etched out these few lines Another love has won your heart / my hope and life are gone My final wish - be true to her / I’ll die before the dawn Faithless one, oh faithless one / how little can you know? The good book says that all of us will reap just what we sow

about

This record is a collection of songs in the rich tradition of the balladeers of the Pennsylvania mountains. They recount stories ranging from disaster in the coal fields, to tragedy among the white pine forests of the Sesquehanna, and the homesick longing of the immigrant steel mill laborer in Pittsburgh. Like the old singers and storytellers, I’m presenting you with a mix of songs both traditional and of my own composition (with some help from ballad melodies as old as time immemorial) in hopes of keeping the musical heritage of my homeland alive.

Orpheus, 1893 is an original balladic retelling of the myth of Orpheus and Euridyce through the lives of immigrant steelworkers in Pittsburgh. John Murphy’s Grave - a traditional ballad narrating the mining disaster of Bantyre in 1877 - made its way to the Westmoreland coalfields with the Scottish folks who settled there to mine soft, bituminous coal. Sweet White Pine is a song I’ve written about the legend of the White Woman of Murphy’s Bar, Susan Hilbish, whose tragic death at her own hand haunts the village of Shamokin to this day.

Two of these are performed without accompaniment entirely, one simply with my own guitar, after the example of those one-man band folk troubadours who rambled across the wilds of the Pennsylvania frontier through lumber camps and mill towns to trade their songs for beer, bread, and spare coin.

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released February 5, 2024

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Jodi Jones Carrboro, North Carolina

Humble songstress and spinner of tall tales.

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